Промпт для Suno в стиле Sabrina Carpenter

1980s American pop with funk-soul crossover precision, punchy gated Linn LM-1 drum machine with tight snare crack and syncopated kick patterns, slapped fretless bass lines doubling synth bass, chorused rhythm guitars in tight staccato scratch patterns, layered polyphonic synthesizer pads with bright attack transients, SSL 4000 console mix with heavy limiting on drum bus, gated reverb on snare, close-mic'd dry lead vocal with meticulous punch-in editing, high tenor with crisp enunciation, percussive vocal interjections and rhythmic spoken asides, dramatic dynamic drops to sparse breakdown then full-band re-entry.

2010s maximalist electropop, layered synthesizer stacks with sawtooth lead patches and wide-stereo pad chords, punchy four-on-the-floor kick drum with sidechain-compressed bass, gated snare with heavy 48kHz digital reverb, pitched-up vocal chops as rhythmic texture, commercial loudness-war brick-wall limiting on the master bus, high dramatic soprano with precise diction and belted chest-voice peaks, melismatic runs on phrase endings, auto-tune applied transparently for pitch lock, sudden dynamic drops to sparse piano-and-vocal breakdowns before full-band explosive reentry.

2020s disco-influenced pop production, layered DI'd Fender Rhodes electric piano with tight chorus, punchy four-on-the-floor kick drum with side-chain compressed synthesizer pads, slapped electric bass doubling sequenced 16th-note synth bassline, bright overheads on a tight studio drum kit with gated snare, SSL-style bus compression gluing the mix, pitch-corrected lead vocal with subtle Antares formant shift, breathy mid-range soprano with clipped consonants and deliberate staccato phrasing, wide stereo doubling on chorus vocal stacks, abrupt filtered breakdown into full-frequency drop.

2010s maximalist electropop, layered synthesizer pads with bright sawtooth leads, punchy side-chain compressed kick-driven four-on-the-floor groove, staccato piano stabs doubling chord hits, thick low-mid bass with subtle distortion, stadium-scale digital reverb on snare, SSL-style bus compression gluing mix, dry-wet parallel vocal processing with heavy pitch correction, wide stereo chorus on synth layers, mid-range belting soprano with clipped consonants and sudden falsetto breaks, deliberate dynamic contrast between hushed verses and explosive full-band choruses with unison stacked backing vocals.

2000s American teen pop, layered synthesizer stabs with pitch-bent leads, punchy programmed kick with heavy sidechain compression on pads, dry close-mic'd claps doubling snare, filtered bass synth with sub-frequency reinforcement, hyper-compressed SSL-console mix with brick-wall limiting, prominent pitch-corrected lead vocal in breathy upper-mid soprano range with intimate whisper-to-belt dynamic shifts, doubled ad-libs panned wide, stuttered vocal chops as rhythmic fill, four-on-the-floor dance groove with syncopated hi-hat sixteenths, abrupt pre-chorus strip-down to kick and vocal only before dense chorus drop.

2010s British acoustic pop, fingerpicked steel-string acoustic guitar with percussive body-tap rhythm layered over looped beatbox phrases, sub-bass sine-wave reinforcement on chorus, sparse electric piano fills, close-mic'd dry vocal chain with light multiband compression and subtle pitch correction, loop-pedal live-build arrangement starting sparse and stacking to full-band density, mid-tempo 4/4 with syncopated off-beat strumming, warm upper-tenor vocal with breathy onsets, melismatic runs on phrase endings, intimate conversational English diction, sudden dynamic drop to solo voice and guitar before final chorus swell.